
“Our time” is a sentimental notion we attach to those periods we never wish to lose, a bond created between a place and a band of brothers and sisters sharing their defining moments, the moments when Truth resonates despite any external antagonism, moments when, as Hunter S. Thompson put it, “whatever we were doing was right… we were winning…” When time has no meaning at all it is most precious.
Music is the heartbeat of an era, and it is the youth that mostly and closely relates to the tempo of the time. It is that special time in life when freedom, curriousity, innocence, individuality, and an overall zest for life all culminate to an apex…that limited time when discovery of the world and all of its evils leads to endless rage and vows to resist tyranny and reside outside of conformity.
Adventures across Europe often lead us underground, mostly in the metros commuting here and there, hopping turnstyles, or smiling at scratch-tagging kids running from car to car.
Like on a History Channel program that vanished while I was abroad, much of Europe disappears underground. Centuries of civilizations built on top of one another hide histories, hidden passages, catacombs, tunnels, and sometimes ancient city blocks. Almost every bar that I ended up in in Paris had a basement discoteque jamming out sounds to pulsating bodies no matter how small or dank or airless the crumbling stone cellar was…
Many of the large clubs in Prague and Budapest have multiple levels winding below ground in twisted mazes. Barely more two decades ago all of the clubs were truely underground to every social and political connotation of the word – a way of life under authoritarian rule. I can only imagine them with the romantic perspective of a Western up-bringing: casually strolling past Red Army guards on a winter night with a sharp wind attacking from the Danube…ringing the bell on a dark doorstep dangerously close to the guards…repeating the memorized phrase in my mothertongue to the old woman that answers the door…following the long, dark hall to the sixth door on the left and down the stairs past bald bouncers that require an additional password and into…
One of my favorite discoveries in Clubland, Europe was not a club – it was a machine, a living, machanical building with moving parts and breathing walls and a metal garden…green smoke lingered in the air and exotic substances smuggled in from Mos Eisley lined the tables. The corridors meandered through different levels, mostly below ground, some circled back into the same room…that night the two rooms of music offered happy hardcore and hard drum & bass/hardstep leaving no relief anywhere in the building from the mental strain of the high decibal sounds at 160+ beats per minute… After a few hours of aimlessly wandering between the two sweaty dancefloors and pulsating wall and flashing lights and closing bars, disoriented delerium set in. Realizing the approaching denouement we settled into seats by a spinning propeller to wait for the metro to reality which started running at 05:00.
The tunnels of the Buda Castle Labyrinth in Budapest were dug millineans ago by the underground rivers that feed the natural thermal springs of Hungary. The Turks connected the tunnels with cellars in the Middle Ages and they were used by militrary manuevers, bomb shelters, and escape routes though the second World War. Only a portion of the labyrinth is open to the public with a cheesy history-of-man timeline setting and faux prehistoric cave paintings, statues, and “alien” artifacts. I had read of a fountain of free-flowing wine somewhere in the Labyrinth not on any map, but all of the Hungarian locals that I asked dismissed it as an urban legend.
We arrived at the labyrinth an hour before closing and were given the oil lamps that visitors use after 6pm when the tunnel lights are turned off. This only added to the feeling of being some fedora-doning explorer. We explored the dark, dank passageways and came to a brightly lit room. In the center was the fabled fountain covered in ivy and basking in a brilliant light from heaven as if Hollywood had designed it. I felt like a weary treasure hunter who had finally proved to himself and the world that the search for the myth was not some far-fetched wild goose chase. Only after we all drank from one of the four spickets spewing red wine and filled empty water bottles did I notice the faded sign warning in three languages that the wine was not safe for consumption. Was this alcoholic liquid that remained unsealed in a dank cave many meters underground and constantly being airated through pumps, tubes and concrete really unhygenic, or was the sign merely there to keep tourists from drinking the well dry? I didn’t get sick.
The Quinta da Regaleira in Sintra, Portugal took on its present day design after Carvalho Monteiro acquired the property in 1893 and commissioned architect Luigi Manini with the four hectacre palace and garden project. The walled grounds are heavily treed with lush paths lined with statues of classical gods, grottos, an aquarium, tennis court, fountains, greenhouse, chapel, lakes, and stone towers. The overall theme revolves around Monteiro’s interest in esoteric and metaphysical idealologies; it is a place where magic and landscape meld into a journey for the initiate. Sctructures have alchemical, Masonic, and Templar symbolism and such names as The Terrace of the Celestial Worlds. There are numerous entrances to underground passageways throughout the garden that are suppose to symbolize a path between darkness and light, between Heaven and Earth.
Much of the tunnels is pitch black except for the occaisional rope light lining a few sections. As we stumbled along in the dark behind the beam of my single flashlight splashing in the small stream in the middle of the tunnels that drained rain water, as the laughs and screams of young tour groups echoed in the distant, as Brandon realized that he could see much better underground without his sunglasses on, as I explored uncharted cave crawlspaces in the crevises of dark corners, and as we came upon the seal in the center of the floor of the Initiatic Well we all felt that we were on our own Goonie adventure, and that it would be over the moment we ascended the 27-meter spiral stairway that circled the well to the surface.
When “our time” is over it becomes the “good ‘ole days”. The glory and certainty of its prevailance fades into forgotten dreams and failed missions. Its brilliance dims until it is indistiguisable from the gray exterior world. It is inivitable that it must die. Even though growing up does not neccessarily mean giving up the revolution of youth, it does mean giving up the immortality of it. Even if time goes on ad infinitum, the moment is mortal and is gone before it is recognized as such.
“Our time” is defined by discovery. When discovery ceases, the era is over. No matter how meticulously documented it may be, the era will never be fully understood except by those that lived it. The Truth is dead because it is forgotten or given up for other endevors as we ride up “Troy’s bucket” to “our parent’s time.” But in the cycle of things as they are, it continues. Only after it is gone does an era earn its reverence, respect, and awe…always by the next generation searching for something similar, their own piece of immortality, the own dream, their own second on this planet when nothing esle matters because what is happening here and now is the best there is.




